Tamron 16-300mm F/35-63 Di Ii Vc Pzd Review

It's usually the example that before buying into high-end prime and zoom lenses, a general all-rounder lens is the first port of phone call. A lens that has proficient optical quality, a good range of focal lengths, and hopefully other extra goodies such as image stabilization.

The cheapest of the cheap could be opted for, just you'll soon outgrow the optical quality, so it is advisable to spend just a fiddling more than for that bit extra. This is the motivation behind the Tamron sixteen-300mm f/3.v-half dozen.3 Di Ii VC PZD MACRO.

Designed specifically for crop sensors, the focal range comes out at an equivalent of 25.6-480mm. The lens contains Tamron's VC (Vibration Compensation), a macro mode, and is available for Canon, Nikon, and Sony mounts.

Pattern

For a lens that covers such a wide focal range, the Tamron 16-300mm f/iii.5-six.three Di Two VC PZD MACRO is very compact. When the lens barrel is fully extended, information technology increases the length considerably and weighs in at a very reasonable 540g.

One nice feature is that Tamron has included is a lens lock switch, which volition lock the lens barrel into place. This is very helpful if you are shooting about vertically at the widest focal length.

The lens barrel itself is fabricated from hardened plastic, which is the norm for this price point of lens, and has a very straightforward design. A wide and ridged zoom ring sits up forepart, with a narrow focus band which automatically overrides the autofocus. The rest of the lens barrel has a regular distance scale, minus a depth of field scale, a switch for manual and autofocus, and one for turning the image stabilization on or off.

Piezo bulldoze and VC are marked on the lens butt, pregnant Tamron wants to make a point that these are included items. An indicator that this lens isn't merely a basic zoom. The lens mountain is all metal and is stated as existence moisture-resistant, which ways the lens tin have the odd drib of pelting, only no more.

Moving to the within workings of the lens, there are xvi elements bundled in 12 groups, a seven-blade rounded diaphragm, and a variable discontinuity ranging from f/iii.5-f/half-dozen.3 to f/22-f/40. In that location'south besides a 67mm filter thread upwards top which tin can have a variety of filter types.

Tamron has clearly tried to pack a lot of features into this lens for the money. From specs solitary, the Tamron is shaping upwardly to be a possible solution as an all-day walk around lens.

The Tamron sixteen-300mm f/3.5-6.three Di 2 VC PZD MACRO in Use

With such a wide range of focal lengths, the Tamron 16-300mm f/3.five-6.3 Di II VC PZD MACRO can become from wide-bending to very telephoto and covers the most usable ranges. Moving from very wide-angle to an equivalent 18.8x zoom in a snap is loads of fun. A loftier-end, brusk-range zoom is the norm for the best in optical quality, simply it's never as much fun as having such a broad range of zoom.

The Piezoelectric motor is a clear selling bespeak and Tamron says it's faster and lighter than a more basic unit of measurement. The arrangement is very quick to snap into focus, not as quick every bit a top-end offer, only still quick and quiet.

Autofocus tin can be manually overridden with the focus ring and in general, is very smooth to operate. The AF organization likewise works well in nearly light weather condition, apart from some focus hunting when lite levels really driblet. Overall, it's very fast and efficient.

When it comes to overall sharpness levels, the Tamron 16-300mm f/three.5-half dozen.3 exhibits soft edges at f/3.5 at the widest focal length, hitting its sharpest by f/8. Subsequently f/16 diffraction starts to take its toll and by f/22 softness is at its highest.

The aforementioned baloney is evident in the middle of the focal range and although images are acceptable when the discontinuity is wide open, the lens is at its sharpest f/8. At 300mm, f/viii-f/11 produces the best results, but later on f/16-f/40, sharpness does start to driblet considerably.

The Tamron 16-300mm f/three.5-vi.iii Di II VC PZD MACRO does have its share of lens anomalies, starting with levels of chromatic aberration when the lens is at its widest and the aperture is wide open. The effect isn't over the top, just information technology is axiomatic.

Its usually at the widest focal length where anomalies are apparent and this is true with light falloff or vignetting which needs to exist stopped downward to f/8 to become the cleanest images. This is likewise the same with barrel distortion, where the nearly curvature is seen at 16mm.

Every bit for the bokeh effect, the telephoto stop of the spectrum provides the all-time results and although there is just a seven-blade diaphragm in the lens, bokeh is rendered very nicely. Not equally polish or creamy every bit a very wide prime, but perfectly acceptable for this price of lens.

Lastly, the macro fashion has a closest distance of 39cm and a magnification ratio of i:2.9. This won't produce an actual life-size paradigm on the sensor, but subjects are large and detailed enough to warrant this as a usable macro lens. If you don't have some other macro lens in your arsenal, so this is a good solution in itself, although yous wouldn't buy this lens solely for this feature.

When this lens is stopped down a little, the resulting images are well saturated with a proficient caste of contrast. This lens is definitely best used in good light conditions, but the image stabilization can help out loads if yous have to venture into low light. The added extra stops of stabilization tin can actually become the shutter speeds downwards depression, peculiarly when the lens is at its widest.

How Does It Compare?

Third-party lens makers have really stepped up their game in recent years and this is especially truthful with practice-it-all lenses. The Sigma 18-300mm f/iii.5-6.three DC Macro Os HSM is one such all-rounder lens with similar specifications to the Tamron. The Sigma is slightly less wide than the Tamron, has the same variable discontinuity, build quality, and image stabilization.

At that place's a lot to like almost the Sigma, simply the Tamron comes in at a higher price signal and thus slightly meliorate optics. For generic lenses such as these, it'south always best to err on the side of better optical quality and spend that niggling bit more, which is where the Tamron edges ahead.

	Tamron 16-300mm f/three.v-half-dozen.3 Di II VC PZD MACRO	Sigma 18-300mm f/3.5-half dozen.3 DC Macro OS HSM
Optics	sixteen elements/ 12 groups	17 elements/ thirteen groups
Stabilization	Yes	Yeah
Autofocus	Yes	Yes
Weight	539g	585g

Conclusion

As a lens that tin do a fleck of everything, the Tamron 16-300mm f/3.v-6.3 Di II VC PZD MACRO is ameliorate than expected. It does need to be stopped down to become the sharpest results, just in general, the lens can produce very nice images if fed reasonable levels of light. There is edge softness at the widest and almost telephoto ranges, forth with lite falloff and distortion, but nonetheless a skilful performer at this toll point.

The image stabilization system works well and lets yous venture into lower lite conditions, with lower shutter speeds than normally expected. This lens isn't going to be a substitute for a bunch of other zooms, but for those who desire an all-in-one solution, without compromising too much in the optical department, the Tamron 16-300mm f/3.v-half dozen.3 Di II VC PZD MACRO is a very good lens for the money.

dinardogratch.blogspot.com

Source: https://lumoid.com/reviews/lenses/tamron-16-300mm-f35-63-di-ii-vc-pzd-macro

Bagikan Artikel ini